Resource Sharing:
Some thoughts about successful IB Music resources
As educators, and more specifically as music educators, we are often asked to go beyond the ‘normal’ day and attend to matters that are more administrative in nature. This is no secret to anyone of us. In fact, the research for new material can prove to be quite exciting. In particular, the IBO’s IB DP programme not only asks, it requires teachers to compose their own programme of study. This process can be quite a daunting one, however the outcome can result in a fulfilling experience.
I have taken the liberty of sharing some resources that I have been using with my IB Music classes. You will find them here below with anecdotes regarding each of them.
For Western ‘Classical’, I use The Enjoyment of Music, 9th Ed., Machlis & Forney, published by WWNorton. Also to be ordered are the 2 CD boxed set that includes the pieces that are analyzed in the book. As well, the handy website (Click on 9th Ed Chronological) has a Musical Timeline, Key Points for each Unit and Era, a Musical Jukebox, brief explanations about composers and musical examples.For some Jazz, I use my own resources, as well as the Jazz at Lincoln Center website, headed by Wynton Marsalis. http://www.jalc.org20th Century Music: A great look at Impressionism to Minimalism to Eclecticism with the help of Contemporary Canadian Composers: Canadian Music Centre. www.musiccentre.ca. Click on About the Music, which will then take you to Sound Adventure. Scroll down to Sound Progression and click. You can follow the scores with the sound examples.For a little bit more of Opera, I’ve sometimes had a look at Teach Opera. Good for interdisciplinary work. www.teachopera.net. As well, the Metropolitan Opera site has most opera synopses. http://www.metoperafamily.org/metopera/home.aspxI've never used the Rough Guide to Music, but I may order it for next year. It seems to have good World Music as well as Classical components.For World Music, I use a personal text called Worlds of Music, Jeff Titon, editor, as well as a lot of personal material. There is also World Sound Matters, published by Schott.BBC Radio 3 has good links for World, Classical and Jazz. I've used this often. In the World Music section, you can find a link to World on your street (which explores different World Musics with listening examples and games).Also try The Street for a little bit of interesting fun, albeit a little rudimentary.For Theory and Harmony, I use the Canadian publication Elementary Music Rudiments, Grade 1 and Grade 2 by author Mark Sarnecki. I also use selected chapters of Harmony Book 1. These are published by Frederick Harris Music.http://www.frederickharrismusic.com/fhmcUS/catalogue?selection=group&code=105 http://www.frederickharrismusic.com/fhmcUS/catalogue?selection=group&code=115Arts Alive www.artsalive.ca has some interesting pages and links.PBS’s Teacher Source could also be of interest. www.pbs.org/teachersource/arts_lit.htm as could Arts Edge through the Kennedy Center. http://artsedge.kennedy-center.org/In terms of the set work, the 2006 and 2007 exams require Bartók’s Concerto for Orchestra. I personally would not use any other than the Boosey Full Size score. I believe that the pocket size score is no longer available. The analysis for this piece has been my own with confirmation from essays from the University library. There are some links on the AMIS site to get you started if Bartók isn’t your forte. www.boosey.com.The next set work for 2008 and 2009 is Purcell, Dido and Aeneas. I am leaning toward the Norton Critical Score, http://www.wwnorton.com/college/music/norton_critical_scores.htm, although the Novello score is also a possibility. http://www.chesternovello.com/Default.aspx?TabId=2432&State_2907=2&workId_2907=1941.
There you have it. I welcome any comments about any of these resources and/or suggestions about what you may use in your classes. Until then, happy researching and listening!
Elizabeth Kuehn
ICS Zürich